Princeton University Press | 11 October 2013
304 pp. | 16 x 24 cm | 300+ colour plates. 250 colour distribution maps
304 pp. | 16 x 24 cm | 300+ colour plates. 250 colour distribution maps
Paperback flexibound | £16.95 / $27.95 | ISBN: 9780691151946
A book like this is the
product of decades of field experience and years of hard work, and
the end result is never perfect, so I hesitate to be critical in
order to avoid doing the authors and publisher a disservice. Let's
celebrate the positive aspects first.
2. The use of
digitally-manipulated images in a UK bird guide is certainly a novel
approach, though one that was pioneered years ago and has been
perfected by other exponents of the art.
5. Population figures
help separate commoner species from rarer lookalikes (e.g. there are
now more than ten times the number of Marsh Tits in the UK as there
are Willow Tits). The sources are the most recent available: the 2013
assessment of the Avian
Population Estimates Panel for the UK and the New
Atlas of Breeding Birds in Britain and Ireland
(Irish estimates are now over 20 years old). These important
primary data rarely appear in bird guides.
3.
Photographic quality varies from excellent to, frankly (in a minority
of cases), inadequate. There must be plenty of images of what has a
claim to be the world's most photographed
avifauna, and I am surprised that the authors did not source them.
Scarcer birds like Short-toed Lark are poorly served, while some
common species, like Garden Warbler, do not enjoy even one
decent photo. Good comparative images
(showing similar species under comparable light
conditions and in the same pose) are usually lacking. If photo guides
are to compete with those that use painted plates, this must be
addressed.
I have just received a review copy of the new
Crossley ID guide from the kind folks at Princeton University Press.
I am a big fan of photographic guides – especially Kenn
Kaufman's North American series and WILDGuides
pioneering UK-centred field guides. I have also greatly enjoyed
Crossley's excellent eastern North America guide and love the new
Warbler
Guide. I've almost worn the cover off my copy of Steve Howell's
astonishing Hummingbirds
of North America. So I was excited to see the first photo guide
to the birds of the country I grew up birding in. With some
reluctance, not to say embarrassment, I have to admit to being
disappointed. The Britain & Ireland book is not as well crafted
as the previous Crossley guides and appears to have been rather
hastily finished. As a life-long birder, I find it unconvincing. I
wonder what the stated target public – beginner and intermediate
birders – will make of it?
1. The guide is limited
to the UK avifauna, so beginners in Britain will not be confused with
a host of extralimital European vagrants. The number of species is
about half of those that make up the British list - leaving out the
scarcest birds that beginners are unlikely to encounter or to
successfully identify.
Song Thursh - and confusion species |
3. The order of species
in the book puts similar-looking species together, rather than trying
to follow an ever-changing, artificial 'systematic order'. The
utility of the ordering of field guides is something that Crossley
and others have championed elsewhere.
4. Birds are shown in
their typical habitat. Often this will clinch ID, and also helps
reinforce the association between bird and habitat.
Excellent maps |
6. The accompanying
maps are the perfect size and easy to interpret.
7. The photographs are
generally good and the text is written by an expert. This book
presents the combined experience of two leading birders and should,
at the very least, serve as a teaching guide. With hundreds of
photographs of birds collected in one book, there is plenty to enjoy
here. This is a great book for armchair birding.
So what's not to like?
Well, perhaps I have been spoilt by the likes of Kenn Kaufman,
WILDGuides, Steve Howell, Stephenson & Whittle, and Crossley
himself. Knowing the quality of Princeton publishing, I was expecting
a definitive guide for beginners – as well as something that I
might use as a field guide.
1.
At 16 x 24 cm, this is not a field guide –
although the authors make no claim that it is: Crossley states that
his guides are “a halfway-house between traditional field guides
and being in the field”. However, this halfway-house does
leave wide open the niche for a proper, well-executed photographic
field guide to the UK's commoner birds...
2.
From my recollection (although I do not have a copy to hand), the size of the photographs is relatively much
smaller than those used in the Crossley eastern
North America guide, so there is somewhat
less bird per plate. Sometimes this is critically important in
identification.
Better view desired... |
4.
Photo editing. Some of the birds appear at odd angles, in an
unnatural perspective, with disconcerting shadow effects, or
truncated legs. One has to make allowances for technology, but other
guides have coped with the design challenges much better to produce
more seamless birdscapes. Looking at some of the critical species for
field identification – say, Willow
Warbler and Chiffchaff, or Willow and Marsh Tits – I
wonder how much
these plates will help the beginner. The
main photograph of Willow Tit is of a bird that appears
to have a glossy cap and
a pale base to the upper mandible, features more characteristic of Marsh
Tit; conversely the main photograph of Marsh Tit is of a bird showing
a long bib, which tends to be an
(unreliable) indicator of Willow Tit. In
the case of the Willow Warbler, shadowing makes some of the birds
appear to have (atypical) dark legs. Of
course, these are all photographs
of real birds under field conditions – and birds do not always
conform to the field guides. Nevertheless, judicial manipulation of
the photographs would have produced images
more typical of each species, exhibiting
the salient field characters mentioned in the text.
5.
The authors set much store by size estimation – and so they should
– yet I find gauging size to be one of the major drawbacks of the
book. I naturally expected to have difficulty estimating size from
the main plates (Redstart could be anything up to grouse size here),
but the comparative plates in the introduction offer little
help, even though they were apparently “carefully
measured”. To point to just a few examples, the Mistle Thrush looks
about the same size as the Nightingale, Coal Tit looks similar to
Nuthatch, Starling and Yellowhammer look similarly sized, Woodpigeon appears a bit slighter than Rock Dove, House
Martin and Swift have comparable wingspans, Little Owl looks just
a tad larger than Barn Owl and Red-footed Falcon is huge! These plates really need to be corrected.
6.
The text is very good, but it does not seem to mesh very well with
the photographs, almost as if the two were separate, parallel
efforts. Thus I suspect the beginner will struggle
to find the field marks to separate Grey and Golden Plover, for
example (although they are there in the plates and text), and will
have little chance of identifying the much scarcer American Golden
Plover. It would have been more useful to integrate the text into the
plates, with annotated pointers. Far from revolutionary, this has
been fairly standard in bird guides since the time of
Peterson.
7. I
find the use of BTO codes a minor annoyance and I suspect that
beginners will too. I still cannot figure out which species is
preyed upon so frequently by Great Black-backed Gulls ("AMCO"
– familiar as the alpha code for American Coot in the North
American BBL and AOU systems).
In
sum, a photographic guide is a welcome addition to the British
birder's library of field guides. However, I am not convinced that
this guide really capitalises on the available image base and
contemporary technology.
With a number of species, the photographs are such that an artist
could have done a better job. I also have my doubts as to whether it
is a guide for beginners. Nonetheless, the
authors have fulfilled their objective of producing a useful learning
tool: this is a handy collection of photographs and texts that will
undoubtedly help birders hone their skills away from the field. This
is certainly a book that I will enjoy
dipping into over the coming weeks – but I will probably still
continue to buy one of the RSPB pocket
guides when choosing presents for my
non-birding friends, and I doubt that I will use this guide as a
primary identification reference.
As I see it, there's
still a need for a proper photographic guide to the UK's birds...
Gibbons, D.W., Reid, J.B. & Chapman, R.A.
(1993) The new atlas of breeding birds
in Britain and Ireland: 1988-1991. T. &
A.D. Poyser: Calton, Staffs. 536
pp.
Musgrove,
A., Aebischer, N., Eaton, M., Hearn, R., Newson, S., Noble, D.,
Parsons, M., Risely, K., & Stroud, D. (2013) Population
estimates of birds in Great Britain and the United Kingdom. British
Birds 106: 64-100.
the country I grew up birding in... the country in which I grew up birding!!!!!
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